尚海灣

隨著城市化生活的不斷推進(jìn)，城市生活節(jié)奏亦隨著不斷加快，在這樣的環(huán)境下?lián)碛幸惶帉庫(kù)o平和的江邊雅居，是無(wú)數(shù)人的向往和憧憬。幽靜而秀美、烏黑發(fā)亮的江水，一朵一朵的波紋在不斷地開(kāi)裂、擴(kuò)展著，可以說(shuō)沸而不騰，一點(diǎn)浪峰也不見(jiàn)。這樣的景色使人焦躁的情緒也得以撫平。

With the continuous advancement of urbanization, the pace of urban life is also accelerating. In such an environment, it is the yearning and longing of countless people to have a quiet and peaceful riverside elegant residence. The quiet and beautiful, black and shiny river water, one by one, is cracking and expanding. It can be said that it is boiling but not rising, and there is no wave peak. This kind of scenery calms people's anxiety.

該項(xiàng)目——尚海灣位于上海徐匯濱江，10樓的建筑高度優(yōu)勢(shì)使得窗外的黃浦江景色盡收眼底，是得天時(shí)地利人和的一處風(fēng)水寶地。

The project, shanghaiwan, is located on the riverside of Xuhui, Shanghai. The building height advantage of the 10th floor gives you a panoramic view of the Huangpu River outside the window. It is a geomantic treasure land with favorable weather, location and people.

溫馨，寧?kù)o，典雅，柔和，是本次設(shè)計(jì)期望達(dá)到的空間氣質(zhì)和場(chǎng)所精神。大塊面的材質(zhì)分割增強(qiáng)了空間的體積感，也使得梁體結(jié)構(gòu)的關(guān)系在這個(gè)空間顯得自然又樸素。在這樣的空間關(guān)系下，任何表面的裝飾都顯得冗余。

Warmth, tranquility, elegance and softness are the space temperament and place spirit expected in this design. The material partition of the large surface enhances the volume of the space, and also makes the relationship between the beam structure appear natural and simple in this space. In such a spatial relationship, any surface decoration is redundant.

建筑本身大面積的橫向長(zhǎng)窗不僅讓空間的采光以及通透性得以保證，也自然的將室外的浦江美景引入室內(nèi)，相較之下繁花的設(shè)計(jì)手法在這樣的自然美景下顯得喧賓奪主，因此室內(nèi)的空間更應(yīng)簡(jiǎn)潔，而非獨(dú)沽一味的將元素堆疊。

The large horizontal long windows of the building itself not only ensure the daylighting and permeability of the space, but also naturally introduce the beautiful scenery of the Pujiang River into the interior. In contrast, the design method of flowers seems to be overwhelming under such natural scenery. Therefore, the interior space should be more concise, rather than blindly stacking the elements.

簡(jiǎn)潔大氣的裝飾面分割配合優(yōu)雅別致的MINOTTI家具讓整個(gè)空間又增加了對(duì)比與層次，繁與簡(jiǎn)，疏與密，在整個(gè)空間中相得益彰，相輔相成，柔和典雅的空間氣質(zhì)油然而生。

The simple and atmospheric decorative surface segmentation and elegant Minotti furniture add contrast and level to the whole space. Complex and simple, sparse and dense complement each other in the whole space. The soft and elegant space temperament arises spontaneously.

電視背景墻的統(tǒng)一化設(shè)計(jì)不僅增強(qiáng)了空間的延伸性，也讓門洞的弧形結(jié)構(gòu)顯得突出又和諧，格柵移門的設(shè)計(jì)手法讓光影的流動(dòng)自然的出現(xiàn)在背景墻上，讓看似簡(jiǎn)單的立面多了一份變化，看似靜態(tài)的空間多了一份動(dòng)感。

The unified design of the TV background wall not only enhances the extension of the space, but also makes the arc structure of the door appear prominent and harmonious. The design method of the grating sliding door makes the light and shadow flow naturally on the background wall, making the seemingly simple facade more changed, and the seemingly static space more dynamic.

臥室空間在色調(diào)和整體風(fēng)格上和客廳空間保持統(tǒng)一，不同的是臥室作為私密空間在滿足功能的同時(shí)也多了一份溫馨和寧?kù)o。

Bedroom space in the tone and overall style and living room space to maintain unity, the difference is that the bedroom as a private space to meet the function at the same time also has a warm and quiet.

衛(wèi)生間在顏色材質(zhì)的搭配上和整體空間相融一體，在這樣的基礎(chǔ)上，新增的木色讓原本冰冷的衛(wèi)生間多了一份暖意。Antoniolupi的衛(wèi)浴產(chǎn)品在這樣簡(jiǎn)潔的空間下更是讓人眼前一亮，獨(dú)特的設(shè)計(jì)語(yǔ)音在如此有序的空間秩序下畫下“濃墨重彩”的一筆。

The bathroom is integrated with the overall space in the matching of color and material. On this basis, the new wood color makes the original cold bathroom more warm. Antoniolupi's bathroom products shine in front of people in such a simple space. The unique design voice draws a "thick ink and heavy color" under such an orderly space order.

奢華和簡(jiǎn)潔，看似兩個(gè)背道而馳的概念卻仍然可以相得益彰，如同陰陽(yáng)的兩級(jí)，在找到了那個(gè)完美的平衡點(diǎn)后，“現(xiàn)代輕奢”這樣的風(fēng)格概念有了嶄新的模樣，恰恰也反映了對(duì)立統(tǒng)一的設(shè)計(jì)哲學(xué)。

Luxury and simplicity, seemingly two opposite concepts, can still complement each other, just like the two levels of yin and Yang. After finding the perfect balance point, the concept of "modern light luxury" has a new look, which precisely reflects the design philosophy of unity of opposites